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Photo: Alex Yudzon. Copyright: Cerith Wyn Evans I’m curious about the use of an ellipsis in the show’s title, “no realm of thought…/…no vision.” There is a way that [ellipsis] transforms. The full stop isn’t particularly satisfying because it doesn’t allow you to allude to everything. Desire doesn’t really end when it is transformed into literature. The whole concept of syntax melted. So when you have something like “dot, dot, dot”, that implies that something has not happened or continues or is unstable, all of which I assume I determine how I proceed. I think the ellipsis also applies to a larger gesture of doubt, which is the unique domain of conceptual artists like you, or others like Marcel Duchamp or Marcel Broodthaers. What interests me about conceptual art is how doubt or failed consideration can become the focus of the work. Not just whether the work is good or bad, but whether it is meaningful or meaningful. The sense of the senses is about natural progression. It requires rational thinking. This is the control of the language of the world. So when I have a tactile doubt on these things, I introduce an entirely different possibility that people can identify with doubt or stutter. Cubism also did this. I could even say Cézanne did this. It goes back a long way. You are passionate about the “not necessarily” principle. Remember when people had CDs or records and they would just ignore it? It will get caught up in its little micro revolution…when something goes wrong or you have to wait when something is loading in the cache or you don’t have enough speed to download something. Looking at those nasty spaces becomes part of the job, part of the script.
What I really mean is how your work fits into the general theme of atmospheres and soft architecture. It’s a big question, and it’s a question of what kind of space my work occupies, or what it defines itself or is associated with. As soon as you start creating sculptures in relation to architecture, then you start calling those things, for the better term, atmosphere. The only thing I can say about this – even though you only give me four words and then I jump in with two hundred – this is in fact a topic that I am exploring: the tendency to be in a sub-zero space. seriously question the tendency to keep the room or its space. Either change its identity or transform into another social function of a space. Or how a light falls in a space. It is the condition of space that is at stake.
In a recent conversation, the Welsh artist and vivacious person discussed his personal history with cinema and light, his place in British experimental film and the role of the dapper covered in art and death. Talkative and wryly self-delusional, Evans often speaks cryptically and seems happiest when turning the underlying topic of our conversation into the art of the conversation itself. Vogue: I have to admit I’m a bit torn between asking abstract questions. or the conceptual questions your artwork tends to provoke and— Cerith Wyn Evans: …And the bitch needs money to pay the rent and needs to ask dumb questions, right? Come on, it’s okay. There is no difference and we both know it. I think all we have to do is measure the temperature of the occasion appropriately. That’s it. We would all be happy to be in contact.
Product detail:
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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